In its sixth mission for July and it’s thirty-third mission of the year, SpaceX launched 53 Starlink this morning from Kennedy Space Center in Florida. Liftoff from pad 39A at NASA’s Kennedy Space Center in Florida occurred at 9:38 a.m. EDT (1338 GMT).

This was the eight flight of booster B1062.

A crowd gathered on Playalinda Beach on the Cape Canaveral National Seashore to watch Falcon 9 lift off on July 24, 2022.
(Click to enlarge ©2022 Charles Boyer)
Falcon 9 pierces the sky on its way to orbit, July 24, 2022
(Click to enlarge ©2022 Charles Boyer)
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Apollo 11 Launch, July 16, 1969
View from the Press Site aside the Launch Control Center
Photo: Dan Beaumont Space Museum
(https://www.flickr.com/photos/mrdanbeaumont/)

Fifty-three years ago today, I saw Apollo 11 as she lifted off from Cape Kennedy and on her way to the moon.

The day was typical Florida morning coastal weather: hot, humid, with a bit of a sea breeze to only slightly temper the sun that bore its way through the sky and onto sizzling skin. The crowd around me flapped whatever papers or fans they had as they waited nervously for the launch, whose time was marked by a huge clock counting backwards.

My mother and I had been at Cape Kennedy since long before dawn, and we were seated among VIPs that included the vice president, movie stars, politicians and the well-to-do that NASA thought important. I was not important, I was just a lucky kid.

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On Thursday, July 7 at 9:11 a.m. ET, SpaceX launched 53 Starlink satellites from Space Launch Complex 40 (SLC-40) at Cape Canaveral Space Force Station in Florida.

Falcon 9 lifts SpaceX Starlink mission off of SLC-40 at Cape Canaveral Space Force Station on July 9, 2022. This was the view (cropped) from Bennett Causeway on FL-528, about 11 miles away.
©2022 Charles Boyer
(click to enlarge)
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After a scrubbed launch the day due to thunderstorms before, and one delayed this by a persistent storms, winds and a single anvil cloud directly over the launch pad, a United Launch Alliance Atlas 5 rocket lifted off from Cape Canaveral at 7:15 p.m. EDT (2315 GMT), carrying two experimental satellites for the U.S. Space Force. Here’s a short sequence of the launch sequence that I made.

This video was made from the LC-39 gantry at Kennedy Space Center. At only 2.3 miles from the launch pad itself, the Gantry offers the best views of a launch that the public can get access to, and the sound from the rocket there is tremendously loud — all in all, it’s an exciting place to be for a rocket launch. This is a very representative view of what ticket holders there see with their own eyes.

I recommend clicking through and watching full-screen in YouTube in 4K or HD.

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While waiting out a long hold due to lazy thunderstorms that were lingering too close to SLC-41 to safely launch United Launch Alliance’s Atlas V set to carry the US Space Force’s payload designated as USSF-12, I grabbed a few interesting shots from the nearby launch pads.

Out at LC-39A, SpaceX is constructing its launch tower for future Starship missions.
(click for full res version)
@Charles Boyer, 2022 (CC BY 3.0 US)
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A lot of friends, family and people I have met on the Internet often ask me for advice on what sort of camera they should buy so they can take “good pictures.”

The Nikon Z7ii, my current go-to camera. It won’t be my last.
photo: Nikon

It’s a complicated question, and the best answer is to start by examining your goals as a photographer as well as the budget you’ll be working with. Someone who is going to travel a lot and take casual photos of their experiences along the way will have different needs than someone who wants to shoot wildlife or rocket launches. On the other hand, portrait photographers have different needs than serious landscape shooters. All of us have a certain amount of money we can devote to a camera, lens(es) and accessories like a good flash.

Some gear is better suited for video, while other cameras are best at stills. For example, I’d never take a GoPro to a fashion shoot, but I would wouldn’t take a medium format studio camera whitewater rafting either. Fortunately, there are cameras that do both things pretty well and these days there’s a lot of choices out there.

Professional photographers obviously have very different needs and standards than someone who’s a casual amateur or even a dedicated hobbyist. With that in mind, I think there are three classes of photography equipment: amateur, prosumer and professional, with costs going upwards with each step. This article is geared towards the amateur and lower-level prosumer.

I’m going to assume here that you want more than a pocket camera with roughly the same specs as a flagship cellphone — they take decent photos, but will never compare to the capabilities of a high-end DSLR or mirrorless camera no matter what the cellphone makers tell you.

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